Five things make a post

1.  Carousel Sun, the sequel to Carousel Tides, is now available for pre-order from the bookstore of your choice (NOTE:  This refers to the trade paper edition, only– which is to say:  you may not pre-order the ebook).

2.  Madame the Editor has stated that there will be an eArc edition of Sun. No, I don’t know when, but figure four to six months out from the publication date in early February.

3.  I am behind in mentioning that Heart of Briar, the first book in Laura Anne Gilman’s Portals duology, is now on the shelves of bookstores everywhere!  I read portions of this novel as it was being written and enjoyed the heck out of it.  I think you will, too, but judge for yourself!  There’s an excerpt here.  Laura Anne will also be doing signings and readings — and she Might Just Be! in your area.  Here’s the full list of where-and-when.

4.  The new memorial bridge spanning the Piscataqua River to connect Kittery, Maine with Portsmouth, New Hampshire is now open — and here are the pictures to prove it!

5.  I’ve been there and over there, too, but not so much here, lately.  I intend to do an overview post to catch y’all up — but not this afternoon. This afternoon, I am calling the hospital billing office, coping with the Gigormous Pile of Dirty Dishes which has taken over the kitchen sink, and seeing if I can get a short story out of Andy LaPierre.  No.  No, the glamor never does diminish around these parts.

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Let’s talk about heroism

This post potentially contains spoilers for Liaden Universe® novels: Mouse and Dragon, Fledgling, Saltation, Ghost Ship. . .I think that’s it, but there may be more.  Probably best not to read the following unless you’ve read most-if-not-all of the Liaden novels.

Spoiler space.

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Possibly the most maligned figure in the Liaden Universe® is Daav yos’Phelium, deadbeat dad, slacker, and false kinsman, whose existence is entirely and only in service of his own pleasure.

For those with foggy memories: Before Val Con takes up the Ring, his father, Daav, is delm of Korval; a position he finds burdensome (see “Who wants it least will do it best”).  It can be argued that he’s not a very good delm of Korval, but he’s certainly far from the worst.

He becomes a far better delm once he has lifemated with Aelliana Caylon, and has access to her support, advice, and unique view of Balance and society.  With her connivance, he is able to fulfill some of his personal goals, and avoid being consumed by the delm’s melant’i.

During his brief marriage, in fact, he becomes very much reconciled to the necessity of standing Korval.  By the time we’re nearing the end of Mouse and Dragon, he’s actually quite content with his life, clan-bound though it is.

Tragedy then strikes:  His lifemate is gruesomely killed before his eyes, having made and acted upon the split-second decision to literally take the bullet that was meant for him.

In other parts of the universe, it has been made clear that there is a set, or possibly more than one set, of Very Bad People out there and they are specifically gunning for, as it appears, Daav.  The possibility exists that this/these set/sets of VBP are gunning for Korval as a group — in fact, it is later revealed that they are — but at the point when Aelliana is murdered, this question is up in the air.

A third attempt on Daav’s life (this after Aelliana’s death) seems to pretty positively pinpoint a Terran group as the single set of VBP, and that they are after Daav.

Daav, with input from Er Thom and Anne — for he did not decide on this plan on the spur of the moment, or all by himself — and with the necessity of Balancing Aelliana’s death in the manner Aelliana would wish it Balanced, decides that he can perhaps reduce the danger to others of the clan by removing himself from the field.  In order to make his exile from clan and kin productive, he will pursue Aelliana’s Balance, which is, yes, a very long-sighted, subtle and essentially non-heroic Balance.

I point out at this juncture that, to a Liaden, to be clanless is to be dead.  Daav, having been a Scout, has some counter-conditioning to this cultural imperative, but even as a Scout, he had been the head of a team, the members of which he treats with as extended family.  Further, except that people are shooting at him and by that tendency endangering the people he loves and is responsible for, he is not burdened by his family; his family is what kept him from committing suicide in the immediate aftermath of Aelliana’s death.

Everybody with me so far?

OK.  I’ll try to wrap the rest of this up quickly.  Oh, and in case I didn’t say, there is textual evidence for all these wild claims being made by the author; though you (Universal You) may have to read closely and think a little.

So! Decision taken, Daav leaves the clan, fakes his suicide and emerges as his alter-ego, in pursuit of Aelliana’s Balance.  It is his intention to dedicate himself to this Balance, making the Balance his life.  Becoming, in essence, a Balance-monk, where nothing that does not directly serve the Balance is permitted to distract him.

Aelliana, as we know, scotches that business.  She knows that Daav needs “clan” and she provides “clan” so that he can function, and live as full a life as possible, given the very great losses in his immediate past.

Which is how Jen Sar Kiladi comes to take a mistress (or, to be taken by a mistress) with whom he eventually has a child, and has a comfortable, even pleasant life while pursuing Aelliana’s Balance as she wished it to be pursued.

Now we come ’round to it; the heroism thing, that some folks want to talk about.

We are not here talking about the folks who think that Daav “abdicated” his authority so he could have a “pleasant life.”

Nor the folks who think that Daav “abandoned” his son into the care of unfeeling, abusive strangers.

But the folks who think that Daav’s self-exile from clan and kin in pursuit of Balance is not heroism.  Who think that it’s A WASTE.

Which is to say — his choices are unheroic and self-serving; built purely on selfish foundations.

Apparently, the only way one may be a hero is to go out, lasers blasting, and kill the bastids.  Or figure out a way to take all their money.  Expose them to public ridicule.  To Make Them Pay Right Now.

Making them pay (much) later is not heroic; it’s. . .lazy at best and reprehensible at worst.  A hero’s only coin is immediate gratification.

Clearly, I reject that.  I see Daav as a hero — and a particularly tragic hero at that.  He leaves everything he wanted and cared about.  That he comes to have a liveable life does not negate his losses or his sacrifices.  He does not have “everything” he wants (see, “I want my father back, you son of a bitch,” for more on this concept); he would have been far, far happier had his lifemate never been murdered.  He would have been far happier if murderous people didn’t make a decision to leave his support structure and his son seem not only rational, but the only good decision available to him.

The fact that he has a life after surviving tragedy does not make him despicable; it makes him human. The fact that his Balance is a long one does not make him a self-serving wimp.

Heroism comes in many shapes and sizes.

I rest my case.

Comments?

Counter-opinions?  Note that I’m looking for closely reasoned counter-opinions, not knee-jerk reactions, based on current US “mainstream” cultural mores.

#SFWAPro

Wednesday morning photos

Today’s mail brought our authors’ copies of Dragonwriter, so I decided to take a group shot of our books that arrived in either our hands  or yours during July.  Here it is:

Family grouping: Dragonwriter, Dragon Ship, A Liaden Universe® Constellation Volume One, with base of the Skylark Award for contrast.
Family grouping:
Dragonwriter,
Dragon Ship,
A Liaden Universe® Constellation Volume One,
with base of the Skylark Award for contrast.

And, because books are nice, but kitties make everything — even books — nicer, I also offer portraits of the coon boys:

Mozart
Mozart

 

Trooper
Trooper

 

Sea waves are green and wet

So!  Carousel Seas having gone out to beta readers, and High Summer being upon us, I went down to the sea again, to be sure I’d gotten my world-building right.

AsyouknowBob, Carousel Tides takes place before the Season begins.  Carousel Sun takes place during the Early Season, and early in the Season itself — which is close enough, ambiance-wise, to September, so long as you remember it backwards.

Carousel Seas, however, takes place in July and August — the Highest of High Season; and it’s been a Very Long Time since I’ve been at the ocean in High Season.

Boy, was it noisy.

I took a bunch of pictures, some of which are posted here.

We got home last night, and didn’t do much more than unpack, and reassure the cats that, indeed, we had returned (well, that and eat pizza).  Today, I’ve been taking care of the mail that piled up while we were gone.  Unsurprisingly, that included some bills, but — more surprisingly, because one never exactly know when these things will hit — the D&A money for Trade Secret was also waiting for us, as well as the authors’ copies for the mass market edition of Dragon Ship, and! the contract for the Audible edition of The Tomorrow Log.

And!  As if all of that wasn’t enough excitement, one of the beta readers has already returned their impressions of Carousel Seas.

All of which leads me to believe that we ought to stop away from home more often.

The rest of my Sunday will be in the service of crafting an InfoDump, and reading the contract.

Tomorrow, I’ll sit down and read Carousel Seas my own self, which I haven’t done yet.  I’m looking forward to finding out what the story’s about.

What’ve y’all been doing while I was gone?

____

Sea waves are green and wet,
But up from where they die,
Rise others vaster yet,
And those are brown and dry.
— Robert Frost, Sand Dunes

What writers do

Last evening I finished what I’m calling the “last draft” of Carousel Seas.  It’s a slightly more tentative last draft than my “last drafts” usually are, but! unless the beta readers (who now have the manuscript in hand) find something Irrevocably Broken, this is the draft that will go to Madame the Editor, who will, in the fullness of time, request such revisions and/or clarifications as seem Good to her.

For those playing along at home, the final score is 106,715 words.  This was more than I expected, but as explained elsewhere, the villain was chewing up the scenery and I let her have her head.

Or, yanno, she would’ve had mine.

So! What this writer is doing today, as a reward for having been a Good Writer and finished a book (the third book completed this year here at the Confusion Factory) is:

1.  A podcast interview (with Steve), rescheduled from yesterday
2.  Cleaning up All The Stuff Trooper threw down from those High Places that he has made his own, and deciding where in ghod’s name to put it
3.  Doing the laundry
4. Waiting for the electrician to manifest, sometime after noon
5. Paying the bills and balancing the checkbook
6.  I’m also considering vacuuming the house — but that might make for too heady a celebration

The next book (the first of the five interlaced Liaden books that will comprise the end of the Agent of Change/Theo Waitley story line) is due on May 15, 2014.  We have a short story due in September, and I ought to write an Archers Beach short story — actually two, per character request — but, in essence, for today at least. . .

I never have to write again!

. . .and that feels swell.

#SFWApro

Saturday morning census

The Saturday morning cat census here in East Winslow is:
Mozart in his hammock overlooking the Cat Garden
Scrabble on the heffalumps in Steve’s office
Trooper, chasing his Special Green Spring up and down the hallway

The Saturday morning author census:
Steve in his office, tweaking and updating webpages, among other things

Sharon, still down among the commas, and hoping to be done with this part realsoonnow.

What’s doin’ at your house?

 

How Thomas Dolby taught me to write

So, I’m still down among the commas, going through what I’m optimistically calling the Final Draft of Carousel Seas.  I’m actually pretty pleased with it, in meta.  There are of course, fiddly bits to be fiddled, a couple of scenes to be expanded and/or sharpened, but it was ever thus.

In point of fact, I spent this morning with a scene that I hadn’t red-lined as needing expansion; it was a pretty good scene and it did what it needed to do, which (so I thought when I was writing it) was to set up the next scene and the arrival on-screen of a character.

Now, we all know that it’s good if a scene carries its weight and also does at least one thing to move the greater story along.  Right?

But, it’s even better, if a scene can carry it’s own weight, and move the big story along, and illuminate something new about the characters, and foreshadow an upcoming piece of business, and set up the next scene, with (now) an added twist of tension.  That’s like — Super Scene.

So, anyway, tinking with this middling important bit, the work of which  had been dealing with a necessary point of plot, and setting up The Arrival.  And –I’m watching myself start to dig into the sentences, sharpening this viewpoint, upping the stakes, adding a bit of by-play to show the relationship between the two characters confronting this situation — and I’m not even thinking about what I’m doing, really, I’m just sort of doing some internal nodding, like I’m following along with whoever is actually doing the work, here:  “Yeah, that’s good.  Oh-ho!  Why didn’t I see that?  Nice, nice…” &c

I added maybe a hundred words to the scene, but it was enough to take it from a middling important scene that did its job, no muss, no fuss; to a scene that really rings some changes, and carries all that work I listed above.

And?  I can’t tell you why I made the alterations that I did.  Often when I’m going in to rework/strengthen/expand a scene, I’m going in with a game plan; an idea of what needs to be punched up (or down).  This scene wasn’t even tagged as a problem; I had no game plan.  I read the scene, my fingers rolled the screen back to the beginning and I started in, without any idea that anything was wrong, but a feeling that something could be better.

Which is why writing is an art, not a science.

Oh, and about Thomas Dolby?

The first time I heard “She Blinded Me With Science,” my ear wouldn’t make sense  of it — there were too many “unnecessary” and “distracting” bits of business going on that had nothing to do — in my opinion as a non-musician — with the music.

And, yet — try to take out the seeming side-bits, and you get something that’s. . .flat, less diverse, and very much less joyously loony.

So now you know what it’s like, down here among the commas, at least some of  the time.

I’m going to go get some lunch, and get back to it.

#SFWApro

And now for something completely different

Frequent readers of this space will recall that Steve and I, among many others,  contributed an essay to Dragonwriter: A Tribute to Anne McCaffrey and Pern.  The table of contents, with links to samples from each essay are now available for you — yes, you! — to read.

Here’s your link.

And it’s back to the living room office and the final day of red-pen-editing of Carousel Seas.  Tomorrow, I’ll be at the keyboard, inputting corrections, expanding zipped scenes, and straightening out one tiny little plot-kink.

No, the glamor never does stop. . .

#SWFApro

Five Things Make a Post

1.  Today is the Official (Paper) Book Release of A Liaden Universe® Constellation, Volume One, which includes 17 short stories and an Authors’ Foreword. The stories are:  “To Cut an Edge,” “A Day at the Races,” “Where the Goddess Sends,” “A Spell for Lost,” “Moonphase,” “Pilot of Korval,” “Breath’s Duty,” “The Wine of Memory,” “Certain Symmetry,” “Balance of Trade,” “A Choice of Weapons,”  “Changeling,” “A Matter of Dreams,” “Phoenix,”  “Naratha’s Shadow,” “Heirloom,” and “Sweet Waters.”  OR the stories from the original Adventures in the Liaden Universe® chapbook series, numbers 1 through 8, PLUS “Sweet Waters,” from the chapbook Calamity’s Child.

2.  I am this year participating in the Clarion West Write-a-Thon fund raiser.  It’s sort of like a walkathon, only writers solicit sponsors for words written/goals accomplished instead of miles walked.  The whole thing is explained here.  If you’d like to sponsor me as I complete Carousel Seas, you may do so here.  If you’re a writer, please consider signing up to participate.

3.  I have received confirmation that Carousel Sun, the sequel to Carousel Tides, continuing the story of Kate Archer, the Guardian of Archers Beach, on the Maine Coast, will be published on February 4, 2014.  Mark your calendars.

4.  The new segment of the on-going Liaden Universe® World Tour is coming together nicely, with stops in Massachusetts, New Hampshire, New York, Pennsylvania, and New Jersey confirmed.  The tour will kick off on Halloween at Pandemonium Books, in Cambridge, Massachusetts, and finish at PhilCon, November 8-10.  The entire tour will be posted once the last couple loose ends are nailed down.

5.  Here, have a baby ferret

#SFWApro