In which the excitement falters for a moment

Things have been happening.  I shall sum up.

Celebrations first!  I am slightly behind in congratulating my colleague Tim Akers on the tenth anniversary of his first professional sale.  In celebration, he’s giving away stories!  And critiques!  And — but go on over and congratulate him yourself.

* * *

In the way of celebrations — I am pleased to announce that Surfside and Moon’s Honor are now available at Smashwords. Technical Details ought to be available by the end of next week.

Regarding the above, please note!

The only flavor of file available from Smashwords, for Surfside, Moon’s Honor, and (coming soon) Technical Details is EPUB. This is because  converting into All! The! Formats! requires a specially-tuned .doc file that I am incapable of producing. (As a further note, I am also incapable of producing the EPUB files; those conversions have happened through the goodwill and expertise of Roseanne Girton, who, in addition to being proficient in these matters, is a saint.)

I do apologize to those folks who want to read their books in their special format, but that’s just not possible with these books, from where I’m sitting.  All of our eChapbooks are DRM-free and can be read on a variety of ereading apps (and your Nook).  Thank you for understanding.

* * *

Today’s mail brought several pleasant surprises, including a new bag that is Significantly Smaller than the red backpack, and which will hopefully curb my tendency to carry All The Things, All The Time.

Also in today’s mail was the last check from Audible Author Services.  This was a nice little program where authors were paid one thin dollar for everyone of their audiobooks purchased from Audible, via quarterly checks.  We’ve sold something over 7,000 audiobooks in the last year, which is nice to know for reasons other than those having to do with dollar bills, though of course dollar bills are very nice of themselves.

I’m going to miss this program.

* * *

On the outgoing side of the page, signed bookplates are speeding on the Wings of Eddie to Forbidden Planet in London.  Which reminds me to say that we received bookplates to sign, yesterday.

* * *

That gets us more or less caught up, I think. I did spend a good chunk of the week changing out my head, which isn’t really as much fun as you’d think.  The time involved made me even happier that I didn’t say, “Oh, sure, we’ll just write a Liaden novel in-between the two Carousel books”  — because omighod, whiplash.

On the other hand, if I hadn’t written two Carousel books back-to-back (and then two short stories based in the same universe), my head might not have gotten Quite. So. Stuck.  I don’t know how my colleagues who have several series going simultaneously do it, frankly.

All of which reminds me to say that…

I started writing a novel.

So!  How was your week?

* * *

Progress on One of Five

2,398/100,000 OR 2.4% complete

“Is there some trouble?” Luken asked her, and almost she sighed again. Such a sweet man, he couldn’t be any more attentive to her if she was paying him. The fact that she wasn’t paying him had the power to surprise her, as did the notion she held of him, as a friend.

But, there, she’d left the man without his answer, and she’d already seen what he was capable of, when he decided that something needed fixing.

So, she smiled at him, and shook her head.

“No trouble. More like I haven’t had enough breakfast to weigh me down to ground, yet.” She broke a roll onto her plate, and reached for the jam pot.

“What were you dreaming, then?” he asked, spoon arrested over his cereal bowl, his eyes on her face.

#SFWAPro

Wednesday afternoon cat (and owl) census

I’m sure everyone will be pleased to know that, despite the gorgeous weather outside, the cats are on the case.

Scrabble supervising me from /m/y  /M/o/z/a/r/t/'s HER rocker
Scrabble supervising me from /m/y
/M/o/z/a/r/t/’s HER rocker

 

Mozart, in the meantime, kept the owl under very close supervision in the living room.

A cat and his owl. And the sunspot.
A cat and his owl.
And the sunspot.

…while Trooper tried to rustle up a quick game of Chase the Mouse.

Psst!  Hey, lady!  Wanna throw a mouse for me?
Psst! Hey, lady! Wanna throw a mouse for me?

 

 

In which cranky author has questions

To put the questions in context…Back when Agent of Change was first published — by which I mean 1988 — publishers actively discouraged writers and their cover artists from speaking to each other.  It was felt, by the publishers, that writers weren’t artists, had no idea what image would sell a book; and would just confuse the artist if they started talking about what the characters looked like, or what the setting was, or what the most interesting scene in the book was.

The publisher had a marketing department and an art department to address these matters.  The Art Director gave instruction to the artist, who pretty often hadn’t read the book, but who worked off of either a synopsis of the scene the Art Director wanted, or who were provided with a portion of the book to give them a feel for the story and/or characters.  I think we’ve discussed the fact that Mr. Hickman was given exactly half of Agent of Change to work from — and he was one of the lucky ones.  As we were, when we got recognizable characters standing in a street we had described on the cover of our novel.

This was not, I repeat, the norm.

The prevailing thought at that point in publishing history was that what was on the cover of the book and what was inside the book really didn’t have that much to do with each other.  It was the art’s job to tell potential readers what kind of story was lurking between the covers.  By the late 1980s, covers were getting a little more representative of content, though still tilted toward SF’s perceived market — 14 year old boys.

Let me say here that we’ve been very fortunate in our covers over the years.  Starting with Mr. Hickman’s portrayal of a Big! Freaking! Turtle! and a woman in fighting leathers that were actually functional, pulling a gun that she seems to know how to use, with a scarf tied around her arm exactly as we had described it!  The male lead is possibly even golden-skinned, as described — it’s hard to tell in the underlighting.

There are a few of our covers that I’m not in love with, but, for the most part, characters we’ve described as brown — Meripen Vanglelauf, Jela, Shan, Nelirikk — or golden-skinned — Val Con (who also became Asian for a run of covers, that being the result of the authors talking to an artist who had been in Vietnam, and knew exactly what golden-skinned people looked like), Aelliana, Daav, Er Thom — or pale — Theo, Miri — have been painted as described.

Do the characters look exactly as I see them in my head?  No, of course not, though some renditions have come closer than others.

Do I expect the covers of our books to accurately reflect the characters as described?  Well, yes, within a range; after all, I wrote those descriptions for a reason.

When a cover falls outside that “range” is it a horrible cover?

Well, no…not necessarily.

Case in point:  The covers for the Carousel books.  I adore these covers, despite that I have no idea who the humans depicted are meant to be.  They’re great covers — dynamic and intriguing, and true in a way that mere accuracy can’t convey.  They’re covers that really ought to sell me some books.

So, with all that being said, here are my questions:

1.  Do you, as a reader, expect that cover art will accurately reflect the accompanying novel?

2.  Do you become upset when/if it turns out that the cover does not accurately represent:

2a. The main character

2b. The setting

2c.  The kind of story inside the covers

3.  In 2, above — which misrepresentation bothers you the most?  Why?

4.  If you are upset about inaccurate covers, how do you think change can be effected?

4a.  By writing to the author

4b. By writing to the publisher

4c. By boycotting authors and publishers who publish inaccurate covers

4d. Nothing will change, so why try?

5.  Other thoughts on the topic?  Tell me!

 

Books read in 2013

The Hummingbird Wizard, Meredith Blevins (e)
Famous Gunfighters of the Western Frontier, W.B. (Bat) Masterson
Lord of Light, Roger Zelazny (re-read)
Creatures of Light and Darkness, Roger Zelazny (re-read)
Ghost Bride, Yangsze Choo (e)
Ice Crown, Andre Norton (e)
Fair Coin, E.C. Myers (e)
Frost Burned, Patricia Briggs (e)
Through a Brazen Mirror, Delia Sherman
Protector, C.J. Cherryh (read aloud with Steve)
Eight Million Gods, Wen Spencer (e)
Promises to Keep, Laura Anne Gilman (e)
Miles to Go, Laura Anne Gilman (e)
Even Money, Dick Francis & Felix Francis
Magic Bites, Ilona Andrews
Sandman Slim, Richard Kadrey
The Diviners, Libba Bray (e)
The Eighth Succession, Don Sakers
You’re All Just Jealous of My Jetpack, Tom Gauld
Captain Vorpatril’s Alliance, Lois McMaster Bujold (e)
Hellspark, Janet Kagan (re-re-re-re-re-re-&c-read)
The Year of the Dog, Grace Lin
The Quantum Thief, Hannu Rajaniemi (e)
Let’s Pretend This Never Happened (a mostly true memoir), Jenny Lawson
How Dark the World Becomes, Frank Chadwick (e)
Shades of Milk and Honey, Mary Robinette Kowal
French Fried, Chris Dolley (e)
My Father’s Dragon, Ruth Stiles Gannett (read aloud w/Steve)
Fair Game, Patricia Briggs (e)
Nymph, Francesca Lia Block (read aloud w/Steve)
Oh, Myyy, George Takei (e)
Hunting Ground, Patricia Briggs (e)
Cry Wolf, Patriacia Briggs (e)
Alpha and Omega, Patricia Briggs (e)
Miss Buncle, Married, D.E. Stevenson (read aloud w/Steve)
Agatha Heterodyne and the Hammerless Bell, Phil & Kaja Foglio
Moonrise Kingdom screenplay, Wes Anderson & Roman Coppola (e)

 

Low bridge; everbody down! Low bridge; we’re coming to a town!

I am pleased to report that I continue to be a sad trial to the staff at the local jewelry store’s repair counter.  Despite which, I now have a temporary magnetic clasp* on the full-moon necklace Steve gave me for my birthday and can therefore put it on and take it off my own self.

Today, I’ve made one needed phone call; have thus far successfully avoided making the second; printed out a contract, signed it and sealed it into its envelope, and taken a pair of jeans to the local seamstress to have them hemmed (I can’t remember the last time I had to have a pair of pants taken up.  It may actually have been Never.)

Still to do:  that vexed phone call, and a few fixes to “The Gift of Music,” so that it can be sent along to the editor.  Also, Steve and I worked out a short story over breakfast.  Mind you, we very much need to NOT be writing a short story at this particular moment in time, but…you take your fun when it comes, I guess.

For those who indulge, I took the challenge and answered The Usual Questions at Festivale.

A reminder for folks local to Waterville, Maine: Steve and I will be giving a talk tomorrow (Saturday, September 14) at 9:30 a.m. at the Waterville Public Library as part of the festivities attending Cirque du Geek.

And now, I guess I’d better make that blasted phone call.

———-

*Temporary because the goldsmith is on vacation and there is no one else in the store qualified to handle a soldering iron.  So the magnets are attached by rings, but the rings are only pinched shut, not soldered shut.  I’m directed to come back “in a week or two” to have the soldering done.

I shall spend my pension on brandy and summer gloves/And satin sandals, and say we have no money for butter

My goodness; come back to the computer after a quick trip to Rockland, and find that the galaxy is wishing you happy birthday.

Thank you all, very much.

My birthday celebrations started yesterday. Thus are we all ruled by the availability of hotel rooms.  Or, actually, inn rooms.  Steve and I left early, had breakfast at the China Dinah, and proceeded to Camden, Maine.  I’ve (painfully)  driven through Camden many times, but yesterday was the first  time since we moved to Maine that we were able to park the car, and wander around downtown.  In summer, the place is up to the ears in tourist; but now we’re into After Season, when all but the hardiest — or the canniest — tourists have gone back Away and the native Mainers can play tourist in their own state.

If you’re ever in Camden, Maine, go to the Ironbound Gallery; they have beautiful things, including a brand-new carousel horse, hand-carved and painted.  She’d need a room to herself to do the work justice, but she was lovely to look at.

We signed books at Sherman’s, drifted in and out of shops, and galleries, stayed ‘way too long in the leather shop, just wallowing in the smell, bought — and ate! — butterscotch cookies as big as our heads, took a couple pictures, and eventually found the car again and motored down Route 1 to Rockland.

Here’s what Camden Harbor looked like on Tuesday, September 10, 2013:

Camden Harbor from Library Hill.  Photo by Sharon Lee
Camden Harbor from Library Hill.
Photo by Sharon Lee
Camden Harbor from the Public Landing
Camden Harbor from the Public Landing.
Photo by Sharon Lee

We had lunch in Rockland at Clan MacClaren, went ’round the corner to the Wine Seller, to pick up a bottle of Good Wine by Joe Pinot Noir, then checked into our room at the Captain Lindsey House.  I had never stayed at an inn and/or bed-and-breakfast, so this was a first.  Our room was Period, built in 1835 by one of the retired sea captains who were Maine’s principal citizens for many years.  Turkey carpets on the floor, a(n electric) fireplace, a four-poster queen bed, and a pretty little sitting area with wing chairs and a marble-topped table.

Foolishly, I did not take a picture of our room, but this is the door into Captain Lindsey’s House:

Captain Lindsey House, Rockland Maine. Photo by Sharon Lee
Captain Lindsey House,
Rockland Maine.
Photo by Sharon Lee

Later in the evening, we walked out for dinner at the Rustica.  I had the pork; Steve had the cavatelli, and we were both well-pleased.

This morning, after breakfast served by mine host, we walked down to the Rockland Ferry Landing, then uptown, shopping as we went.  When we were shopped out, we came home the long way, stopping in Brunswick at The Great Impasta for lunch (why, yes, I did have two Italian meals in two days.  Your point?)

For my birthday, Steve got me a very nice bottle opener.

Also, the moon:

Astronomically correct moon, sterling silver, from Saturn 5 Studio.
Astronomically correct moon, sterling silver, from Saturn 5 Studio.

Now, we’re home, and have made peace with the cats.  Tomorrow, I have some errands to run in town, including seeing if the local jeweler can put a magnetic clasp on my new necklace.  Then, I have a story to go over one more time so it can be sent off to the editor.

Again — thanks to everyone for the well-wishes; they’re much appreciated.

The life of the mind

Let’s see. . .

Last night, we finished signing the last of the tip-in sheets for Trade Secret; the box containing All Those signed sheets of paper was picked up by Eddie the FedEx guy not 15 minutes ago and is now on its way to the printer in Pennsylvania.

Yesterday, in-between Other Stuff, I scoped out how to adjust the new scanner so I could OCR one of the excavated scenes.  It’s now over on Splinter Universe, with an author’s introduction.  For those interested, here’s the link to the introduction     And!  here’s the link to the first outline for Scout’s Progress.

If there’s any interest in seeing other old stuff like this, let me know.

So, that.

Today, Steve is in town, getting a flat tire fixed and doing errands.  I?  Am doing some vacuuming and dusting, and slaying a dish monster, which I feel is rather unfair, since I slew a dish monster yesterday.

Oh!  “Gift of Music,” by Sharon Lee will be appearing on the Baen front page in January, 2014, in support of Carousel Sun, to be published in February.

. . .I think that’s all the news that’s fit to print.

How was your weekend?

 

Books read in 2013

Famous Gunfighters of the Western Frontier, W.B. (Bat) Masterson
Lord of Light, Roger Zelazny (re-read)
Creatures of Light and Darkness, Roger Zelazny (re-read)
Ghost Bride, Yangsze Choo (e)
Ice Crown, Andre Norton (e)
Fair Coin, E.C. Myers (e)
Frost Burned, Patricia Briggs (e)
Through a Brazen Mirror, Delia Sherman
Protector, C.J. Cherryh (read aloud with Steve)
Eight Million Gods, Wen Spencer (e)
Promises to Keep, Laura Anne Gilman (e)
Miles to Go, Laura Anne Gilman (e)
Even Money, Dick Francis & Felix Francis
Magic Bites, Ilona Andrews
Sandman Slim, Richard Kadrey
The Diviners, Libba Bray (e)
The Eighth Succession, Don Sakers
You’re All Just Jealous of My Jetpack, Tom Gauld
Captain Vorpatril’s Alliance, Lois McMaster Bujold (e)
Hellspark, Janet Kagan (re-re-re-re-re-re-&c-read)
The Year of the Dog, Grace Lin
The Quantum Thief, Hannu Rajaniemi (e)
Let’s Pretend This Never Happened (a mostly true memoir), Jenny Lawson
How Dark the World Becomes, Frank Chadwick (e)
Shades of Milk and Honey, Mary Robinette Kowal
French Fried, Chris Dolley (e)
My Father’s Dragon, Ruth Stiles Gannett (read aloud w/Steve)
Fair Game, Patricia Briggs (e)
Nymph, Francesca Lia Block (read aloud w/Steve)
Oh, Myyy, George Takei (e)
Hunting Ground, Patricia Briggs (e)
Cry Wolf, Patriacia Briggs (e)
Alpha and Omega, Patricia Briggs (e)
Miss Buncle, Married, D.E. Stevenson (read aloud w/Steve)
Agatha Heterodyne and the Hammerless Bell, Phil & Kaja Foglio
Moonrise Kingdom screenplay, Wes Anderson & Roman Coppola (e)

Cleaning out the files

So, since I’m working on several projects simultaneously, I need one of those desk files for the various project folders.  As it happens, I actually had one of these, but it was (1) filled with files, and (2) had All Sorts of Crap piled on top of it.

Careful excavation produced a nice metal-mesh file holder, which will do nicely.  I pulled out the dusty resident files, thinking I’d be throwing most, if not all of what was in there.

Ah, no.

What I have here are bits and pieces of scenes, story ideas, word lists — all for the Liaden Universe® and many of which have to still be considered “live” files.  There, I’m in a little bit of trouble, because some of the scenes were printed out on a nine-pin printer — which is what the dinosaurs used to print out their APA submissions — and the ink has already faded to the point that the words won’t scan.  These pages will have to be retyped, in my abundant spare time.

So, a combination of Argh! and Oh, hey! there.

Also, I find handwritten notes, also fading — apparently green ballpoint ink doesn’t have much of a shelf-life — which I will reproduce below.  As with similar incidents/finds in the past, no, I don’t have the least clue at this remove what these have to do with the story bits they were found with.

The following are possibly from the Oxford Dictionary of Proverbs.  Either that, or I noted the title of the book in the margin because I wanted to remember to look for it at the library.

Ahem.

Better an old man’s derlyng than a young man’s werlyng.

Better be out of the world than out of fashion.

If you’re born to be hanged, you’ll never drown.

Care killed the cat.

A cat in gloves catches no mice.

A guilty conscience needs no accuser.

So that.

Next up is a single sheet off of one of those pink While You Were Out message pads.  The front — where you would write the message — is not filled in.  The notes are on the back of the page. This ink perhaps started off in life as peacock blue.

At the top of the page, closed off in a parallelogram, it must have wanted to be, is:

ref desk
5600

…which happens to have been the extension number of the UMBC Library’s Reference Desk, often manned by a cheerful and knowledgeable woman named, if memory serves, Sierra.

Below that, carefully printed, is:

Ho bios brachus, he de techne, makre (gr)

Life is short, art is long.
Hippocrates

I also have here story notes, some of which have been written, others of which I suspect will never be written, but if there’s one thing that you learn as a writer is that you never say never.  Also here are the outlines/synopses for the three Jen Pierce books, the lyrics to Shambalya by Three Dog Night, with werewolf story? scrawled in the margin, lists of weird and/or archaic words. . .

Sigh.  I love my process.  It’s so idiosyncratic that three-quarters of the time I don’t know what to make of my notes.

Oh, wait!  What’s this?

. . .

A list of the Houses of Fortune, including Luck, Hazard, Chance, Risk…Oh.  I remember.  That’s a short story…or possibly a series of short stories.

Well.  I’m glad I got motivated to excavate the file holder, but I’m not certain but what most of this needs to go right back where it had been.  Which still leaves me with a need for another file holder.

Isn’t cleaning grand?

In which someone is wrong on the internet

I’m behind on my email — that’s a surprise, I know — so this is kind of a blanket reply to those asking if I’ve seen Amazing Stories, and what I’m going to “do” about it.

The answer to Part One is, Yep, saw it, was annoyed, then baffled, now tired.  (For those who haven’t seen it, have a blast.  Fair warning:  Comments have been closed.)

The answer to Part Two is…Well, what on earth should I “do” about it?  Lots of other people on the internet are being outraged on behalf of Lee and Miller, and Bujold, and Wolfe.

. . .though not so much for Cherie Priest, so I hereby state that I am outraged on behalf of Cherie Priest, whose cover was kind of used as a stand-in for everything that the author of the piece doesn’t like about steampunk.  The off-handedness of it was typical of the whole piece of work, but I’m sorry Cherie was brought into it at all.

And I’m sorry that we were brought into it.  As I said elsewhere, in the author’s view, Lee and Miller have been sinning against the science fiction genre for twenty-five years.  It’s not like our transgressions are new, even if we have just now come to the author’s attention.  He doesn’t like our stuff.  Fine.

And, really, I mean that.  Lots of people don’t like what Steve and I are doing in the Liaden Universe®; that’s life.  I like to think that the people who don’t like what we’re doing have actually read one or two of the books and have thus based their opinions on solid ground, but, really, who am I kidding?

Here’s the thing though:  We all have stupid opinions (no, really, we do); but there are ways to express the stupidest of opinions without starting an internet slap-fight.

I, for instance, hold a stupid opinion with regard to Dorothy Dunnett’s Lymond Chronicles.  I’ll even bore you with it.

The Lymond Chronicles, as I’m told by its fans, are incredible works of fiction that stand the test of time, and many, many re-readings.  Indeed, the Liaden books have often been compared, favorably, to the Lymond novels.  It was assumed by many folks who adore the Chronicles that I must have fixated upon them at an early age, as many readers of Liad had done.

Sadly, this was not — and is not — true.  Nor did I fixate on the Patrick O’Brien books, another common assumption of my reading tastes based upon what I write.

I suppose I ought to confess right now to being a sorry scamp, with no taste for real literature.  During my formative reading years, I ingested every Perry Mason book Earle Stanley Gardner had ever penned, manymany Agatha Christie  mysteries, the works of Frances and Richard Lockridge, Carl Sandburg’s Rootabaga Stories, possibly the entire output of Dorothy Eden, Mary Stewart, Elswyth Thane, and Gwen Bristow (I probably read Jubilee Trail fifteen times, I kid you not.  I adored Florinda, the dancer with the facility for re-inventing herself, and her crazy Russian admirer, and every time I read the book I kept hoping more of their story had somehow snuck in).  I read Zane Grey; I read Rex Stout; I read Dorothy Sayers. . .but I didn’t read Dorothy Dunnett.

However, back in the day, a reader was so admiring of the Lymond books, and so insistent that they were “just like Liad,” that I thought, Well, why not?

And took myself to the town library.

Now, the town library did not have the Lymond Chronicles on its shelves. But they did have the complete set of another of Dunnett’s series, the House of Niccolo.

So, I thought, Why not?

And I took out the first couple novels in the series.

Not to put too fine a point on it, and fully realizing that this is not an opinion held by many — I hated them.

I mean, the world-building was fascinating and complete and wow — 1460 Flanders just leapt off the page; I could smell the dye — and the street  — Dunnett was that good.

But her characters?  Them, I loathed.  I spent the last half of the first book hoping Claes would die so I could stop reading about him.  Not an auspicious beginning to an eight-book relationship.  The second book. . .I didn’t finish the second book; the gorgeous worldbuilding wasn’t enough to carry the distasteful characters and the convoluted, self-serving intrigues spun by the hero.

Based on my experience with those two books in the Niccolo series, I predict that I will not like the Lymond Chronicles and I have not sought them out.  I realize that, yes, they are two different series, but I have lost my trust in the author; I do not believe that she will serve me characters that I can relate to, and for me, in terms of reading fiction, that’s a deal-breaker.

So, there’s my stupid opinion:  I will not enjoy reading the Lymond Chronicles.

Now, since this post is about being able to have opinions without offending the earth, I’d like to ask, seriously — does the opinion expressed above offend you?  Note that being of a different opinion is not the same as being offended.

If the above opinion did offend you, can you pinpoint what, precisely, caused that reaction?  Was it the choice of words?  Was it the tone of post?  Both?  Or something else?

Thanks for playing along.