And she’ll tell you she’s an orphan

And I have finished reading Longeye.

I’m so angry, I’m weeping.

There is nothing wrong with these books, and I refuse to put a trigger warning on them that says, What? These are so well-written that they may make you feel that over-riding someone’s will is wrong?

Weren’t we just having a conversation about how wrong it is to subjugate another person?

I’m going to go break things, now.
#
This is the cover art for the e-omnibus including the reprints of Duainfey and Longeye, with an Explanatory Foreword from the surviving author.  This e-omnibus will be coming out from Pinbeam Books (aka, the Sharon Lee & Steve Miller Publishing Empire) RealSoonNow. I’ll tell you when.

I went back through the professional reviews for Duainfey and Longeye, and am kind of struck by the confusion of the reviewers — even the reviewers who liked them. It reminds me in a way of the reviews for Ondine (which I adore, predictably), in which the biggest complaint was that the filmmakers “couldn’t decide” if they wanted to tell a fantasy or a present day story. When in fact what the filmmakers did (I have no idea, obviously, if they intended this) very well was to juxtapose fantasy and present day, which I think? is pretty common, and I never did figure out why none of the pros could figure that out.

Anyhoots! I have a cover for The Fey Duology (including Duainfey and Longeye in one! convenient! package!), and now all I have to do now is edit the manuscript, reformat it 18 times, write cover copy, and a preface, and all like that. As before, I don’t dare try to sell this through Amazon, because I really can’t depend on them understanding stuff like “rights reverted,” and “I wrote them.” Amazon has had trouble with these concepts before, and I can’t risk the dozens of Pinbeam Books books that are already on sale at Amazon for one title.

And now! I need to go do my duty to the cats.

Blog title . . . Yeah, still with The Black Crowes.  Been that kind of a day.